Archive for the ‘Obituaries’ Category

Felicity Ashbee

Tuesday, September 16th, 2008


The death of Felicity Ashbee at the end of July severed on of the last links with the Arts and Crafts movement of the late 19th century. The movement had a profound effect on architecture, furnishings and designs right up to the Second World War - and after the triumph of modernism in the fifties and sixties has been rediscovered and reappreciated in recent years. But Felicity’s father, CR Ashbee, was much more than a maker of buildings. In his ‘Mile End Experiment’ he attempted to remake society - at least in microcosm. The Guild of Handicraft may have failed in business terms, but it gave a start to a generation of East End craftsmen and a legacy that lasts to this day.

Charles Robert Ashbee was the son of a wealthy London family. After studies at Wellington College and reading history at Cambridge he moved back to London and into Whitechapel’s Toynbee Hall, where he lectured in arts and crafts. The multiskilled Ashbee was a furniture designer, silversmith and architect, and was inspired by the ideas of William Morris and John Ruskin. He embraced not just their ideas on craftsmanship but sought to liberate the craftsman themselves. The ‘mission statement’ of the Guild said it all:

” To seek not only to set a higher standard of craftsmanship, but at the same time, and in so doing, to protect the status of the craftsman. To this end it endeavours to steer a mean between the independence of the artist— which is individualistic and often parasitical— and the trade-shop, where the workman is bound to purely commercial and antiquated traditions, and has, as a rule, neither stake in the business nor any interest beyond his weekly wage”.


Ashbee established the Guild in 1888 while still at Toynbee Hall, moving it on to workshops at Essex House in Mile End, with his partner, MH Baillie Scott. But he visualised a sylvan setting for his craftsman, and Mile End was never that. So in 1902, Ashbee made the bold decision to improve the quality of life for his craftsmen by moving the various Guilds - some 50 jewellers, enamellers, woodcarvers, cabinet makers, silversmiths, French polishers and bookbinders – from workshops in the East End of London to Chipping Campden in the centre of the Cotswolds. With wives and children, the group totalled around 200. It’s hard to imagine what the people of Chipping Camden felt about 200 cockneys descending into their midst, but the influx gave the town a fresh injection of life, bringing new ideas and making the little market town a centre for the study of Arts and Crafts and contemporary design in the early 1900s.

Charles and wife Janet settled in the neighbouring village of Broad Campden and four daughters followed (Felicity was born in 1913). But while Ashbee was a visionary and a genius, he was alas not a businessman. His craftsmen, with a limited local market, faced stiff competition from cheaper, mass produced goods. In London, the Guild had its own shop in Brook Street, Mayfair, and plenty of rich patrons willing to buy - Chipping Campden was rather different. Arguably today they would have a better chance of survival - there has been a revival in interest in handmade pieces, and there are numerous small workshops in the Cotswolds and other far-flung parts of the British Isles, marketing their goods over the internet.

The Guild was liquidated in 1907, though the Ashbees stayed on in Broad Campden, watching as the 50 original craftsmen slowly dwindled in number. It was a dispiriting end, and Charles drifted, unsure of where to turn next. That turn would be characteristically bold, the family decamping to Jerusalem, where Ashbee would work as a town planner and conservationist. In the thirties, Felicity would train as a painter at the Byam Shaw School of Art in London, become a teacher and designer and member of the Communist Party. During World War II she worked at the code breaking centre at Bletchley Park, and in peacetime returned to London to teach art. In later years she would write, and in 2002 penned Janet Ashbee: Love, Marriage and the Arts and Crafts Movement, which brought her mother firmly out of the shadow of husband ‘CRA’.

Back in the Cotswolds, the cockney craftsmen did struggle on, but the sole survivor today is Hart Gold & Silversmiths, on Sheep Street in Chipping Campden. Ashbee would have approved of how things have gone for Hart and Co, with the business and skills being handed down from father to son. George Hart came down with the original 200 and in 1912 set up his own workshop. In 1930 son Henry came on board. And the tradition of fine work is carried on today by his grandson David Hart, along with Derek Elliott, William and Julian Hart. The company still proudly has (Guild of Handicraft) in parantheses beneath its name, though they are the only ones left. Anyone who happens to be passing through Chipping Campden between 4 and 11 October should drop in to see the company’s Guild of Handicraft 1908 - 2008 Exhibition.


Les Sealey obituary

Wednesday, April 23rd, 2008


People often talk about larger than life figures in football. But the tragic death of goalkeeper Les Sealey a week ago has robbed English soccer of one of its true characters. He was a highly motivated and hard-working footballer … with the touch of madness all keepers need.

“He was superb in the dressing room, very popular with his team-mates and worked tremendously hard in training,” recalls his boss at Luton, David Pleat. Sir Alex Ferguson goes even further, reckoning he won his place in Manchester United’s 1990 Cup Final on personality alone. And West Ham managing director paid tribute to the “energy and enthusiasm” Les brought to the West Ham bench on match days. Any fan who saw him running up and down the touchline screaming instructions would back that one up!

Les was born on September 29 1957 in Bethnal Green. Growing up a mad Hammers fan, his dream was to play at Upton Park, but it wasn’t to be, and in 1976 he joined Coventry as a 21-year-old apprentice. In 1983, after making 178 appearances for the Sky Blues, Les moved on to Luton, then in the old First Division, for a fee of £100,000. It was to be the start of an itinerant footballing career that would see him hit the European heights with Manchester United.
European glory seemed a long way distant when he joined lowly Plymouth on loan in 1984 though. After six first team appearances he returned to Luton. In 1988 he missed the Hatters’ League Cup final triumph at Wembley where Luton beat Arsenal 3-2.
The next year Luton returned to Wembley to defend the League Cup. Les got the call this time, but his side lost 3-1 to Brian Clough’s League Cup specialists, Nottingham Forest.
But Les’s Cup misery was to be turned on its head in a shock move in 1990. He joined Manchester United on loan in March and Alex Ferguson gave him two first-team matches before signing him on a free transfer.


These were dark days for Ferguson. After his domestic and European successes with Aberdeen, he had taken over at Manchester United in 1986. He was still looking for his first trophy, and under pressure of the sack, when United faced Crystal Palace in the 1990 Cup final.
Palace squeezed a 3-3 draw. And Jim Leighton, the Scotland keeper who Fergie had brought south with him, was at fault for at least one of the goals.
Walking into the Wembley dressing room after the match, the boss saw Leighton with his head slumped over his knees.
“It was then that I knew he had to be left out of the replay,” Ferguson said later. Dramatically and brutally Fergie dropped the Scotland international and threw Les into the replay.
“Was he a better keeper than Jim? No, but he thought he was, and that can sometimes be important,” he revealed. “Les Sealey was cocky and sometimes downright arrogant, so I did not foresee a failure of his nerve at Wembley.”
United won the replay 1-0 and Leighton’s United first team career was over. But if Les had unshakeable self-belief he also had humility. He offered Leighton his FA Cup winners medal after the game but Leighton declined it. Hurt by the psychological damage done to Leighton, Les also sent back the medal sent by the FA to mark his participation in the first game.
Sealey kept his place in the team for the next season, and even managed to better his cup-winning exploits. He played in goal in the 1991 Cup Winners’ Cup final in Rotterdam, as United beat Barcelona. He was to finish the match limping badly after suffering a leg injury in a collision. But he wasn’t to be denied the satisfaction of finishing the match, angrily waving away physio Jim McGregor as he attempted to give him treatment!
The next season Peter Schmeichel joined United, and Sealey was off on his travels once more. In July 1991 he moved to Aston Villa after making 44 first-team appearances for United. Then in 1992 he returned to Highfield Road on loan, making two appearances for Coventry. The tour of the Midlands continued in that year when he went to Birmingham on loan, playing 12 games.
Over the next few years he coached at Old Trafford, played for Blackpool, Bury and Leyton Orient and had two stints on the West Ham coaching staff.
Having finally made it to Upton Park he even got the opportunity to play for the team he had always supported. Ironically, one of those was up front, when an injury-hit Harry Redknapp threw him on as a makeshift striker.
Les left the Upton Park coaching staff this summer, along with Harry Redknapp and Frank Lampard. But the Sealey dynasty lives on at the Boleyn Ground. Les’s uncle, Alan Sealey played outside right when the Hammers beat 1860 Munich in the 1965 Cup Winners Cup Final at Wembley, scoring both West Ham goals.
And Les’s two sons, George and Joe, both goalkeepers, are both on West Ham’s books.

Les Sealey born 29 September 1957, died 19 August 2001. Leaves wife Elaine and sons George and Joe.


Obituary of Elizabeth, the Queen Mother

Wednesday, April 23rd, 2008


The passing of Queen Elizabeth, the Queen Mother this week at the age of 101 is an event like none before in our lives. Born in the last weeks of Queen Victoria’s reign, and just months into the 20th century, at the height of the British Empire, before aeroplanes had got off the ground, and when the gaslit streets around Buckingham Palace clattered with horses hooves rather than the rumble of traffic, the Queen Mother had, it seems, always been with us. Tragically for her, she outlived not only her beloved husband, but also her daughter, Princess Margaret, who died just a few weeks ago.

She was many things to the British people – a favourite grandmother; a Scot most at home fishing in the grounds of her beloved Castle Mey; a keen, canny and successful racehorse owner. But to the people of the East End of London she will always be someone more special still: a queen who, at the height of the Blitz, refused to abandon London for the safety of a bolthole in the country or the United States; and a woman who, with her king, was able “to look the East End in the face”.

But nothing could have seemed less likely to the young Elizabeth Bowes-Lyon than that she would become Queen of England. Her birth as a commoner, her father’s advice, her own sense of self-preservation, and of course her husband’s status as the second son of King George V, all mitigated against her ever ascending the throne. That she did so with such grace and success at a difficult and pivotal time for the British monarchy is a testament to her self-sacrifice, determination and sense of duty.
An Edwardian childhood
Ironically, even though we know so much of Elizabeth’s later life, her birth is shrouded in mystery. Elizabeth Angela Marguerite Bowes-Lyon was certainly born on 4 August 1900, but where we don’t know. She was the ninth of ten children born to Claude Bowes-Lyon and Cecilia Cavendish-Bentinck, a vicar’s daughter and a descendant of the Dukes of Portland. Perhaps her father can be forgiven for becoming a little forgetful at the birth of child number nine, but he didn’t register her birth for a full nine weeks. When he did, he gave the place of birth as the Hertfordshire family home of St Paul’s Walden Bury, though other accounts suggest she was actually born in London.

Though born in England and without a title, Elizabeth was actually descended from the Scottish royal family. And she once more ‘became’ a Scot at the age of four, when her parents became Lord and Lady Strathmore and inherited Glamis Castle. That began a lifelong love affair with Scotland. The castle had been a royal house since 1372 (Shakespeare had it as Macbeth’s home of course), and Elizabeth and younger brother David would have a wild time pouring ‘boiling oil’ (buckets of water in truth) from the turrets onto her mother’s guests. The castle’s ground staff also had to contend with being captured by the pair, tied up and held to ransom. On another occasion, having gone missing at St Paul’s, the pair were found hidden away sharing a cigarette. Her sense of humour and mischievous streak was still in evidence a century later when she would tease Palace staff, public and members of the Press alike.

Her childhood may have been idyllic, but her education was certainly wanting. Most of it was conducted at home by her mother and various governesses – with predictably patchy results. She was, however, fluent in French by the age of 10, and must have picked up some skills in arithmetic as she later showed a computer-like accuracy in working out the odds and returns on horses she was backing. Two terms of more traditional schooling, at the Misses Birtwistle’s Academy, were brought to an end by her protective mother.
World War I
And back at Glamis her education was abruptly ended altogether. When she was 14 years old, World War I broke out, and the castle was brought into use as a military hospital. Elizabeth learned to be a nurse, helped the injured men write letters to their wives and sweethearts, and would run errands, buying chocolate and cigarettes for the soldiers.

And if the separation from David (sent away to Eton) had been painful, the War was to shatter the childhood idyll forever. Her older brother Fergus perished at the Battle of Loos in 1915. Another brother, Michael, was held prisoner of war for two years more.
Between the wars
The end of the war coincided with Elizabeth becoming an adult and making the traditional entrée into Royal circles. It was a life the Bowes-Lyons were used to (members of the Royal Family would frequently visit Glamis) but both Elizabeth and her father had reservations about princes and kings. He had determined that none of his children should ever “have any post about the Court”. And Lord Strathmore had also warned Elizabeth early on to avoid “entanglements” with the Royal family. But it was inevitable that the beautiful young debutante should attract attention from the eligible young men of the Court. Prince Paul of Serbia wrote desperately to her that “My Queen of Yugoslavia is still missing and so I cannot plan my future. When will it happen?” It never did of course. But while it was one thing to turn down the throne of Serbia, Elizabeth was also to say no to the son of the King of England … twice.

Her first true love had been one James Stuart, but she turned down his proposal of marriage. Maybe it was the fact that this descendant of the illegitimate half-brother of Mary Queen of Scots had a terrible reputation as a philanderer and heartbreaker. Perhaps it was the fact that Stuart’s family was as hard-up as hers, but she kept her distance. Despite her initial reluctance her life was about to change forever.


The persistent prince
George V and Queen Mary’s second son, the Duke of York, had known Elizabeth since they were both children – a legacy of his family’s visits to the Strathmores at Glamis. Now, in 1920, he began to see her as his future Duchess. But while his older brother, the Prince of Wales, was cutting a reputation as a playboy prince, the Duke of York was a shy, introverted man with a pronounced stammer – how could he win the heart of Elizabeth where bolder men had failed? One barrier was swiftly removed. James Stuart was still interested in Elizabeth, and was now working as the Duke’s equerry. Ladies Strathmore and Moray (Stuart’s mother) conspired to send the rakish peer to work in the Oklahoma oilfields. But even with the coast clear, things didn’t go according to plan. ‘Bertie’, as Prince Albert, Duke of York, was called, proposed marriage. Elizabeth, mindful of her father’s earlier advice, said no. He proposed again. Again she said no. Queen Mary was scandalised that any woman, especially one born a commoner, should have the nerve to turn down her son. But Bertie was made of sterner stuff than his nervous and diffident manner would suggest. Walking in the woods at St Paul’s, on 13 January 1923, he proposed for a third time. Finally Elizabeth said yes.
A royal wedding
On 26 April that year, the couple wed in State at Westminster Abbey. There was no television of course, and at the last moment the Church banned the BBC from broadcasting the service on the radio. They feared that “disrespectful people might hear it whilst sitting in public houses with their hats on.” Certainly, a lot of East Enders might have liked to have heard that service in the pub.
East End visitors
A lifelong link with Tower Hamlets was to begin in the 1920s with the couple’s visit for the opening and dedication of Bethnal Green’s York Hall, but to many it seemed that the happy pair would slip into comfortable, happy obscurity. Their first child, Princess Elizabeth, was born in 1926 and Princess Margaret followed in 1930. And as the Duke and Duchess of York, Elizabeth and Bertie rarely performed the public duties so much a part of the Royal Family’s lives today.
One of their few public engagements brought them back to the East End, this time to Poplar. In 1935, the Duchess of York opened Frances Gray House, the very first block of flats on what was to become the Ocean Estate. Eileen Rainbird, of Tomlins Grove, Bow, remembered the visit years later to East End Life. “I lived in Ocean Street at the time and a group of Brownies from Dame Colet House formed a guard of honour along with our Brown Owl Miss Parnell.” But if such visits were rare, that was certainly how the Royal pair wanted it; and they might have become just another footnote, as forgotten minor Royals.
Unwelcome change
But another great love affair conspired against a quiet life for the Yorks. In 1936, George V had died and the Prince of Wales had succeeded the throne as Edward VIII. He had already begun his affair with Wallis Simpson. Twice divorced and American, she was considered a wholly unsuitable mate for the Prince of Wales, let alone as material for a future Queen. Edward put love before duty and abdicated the throne. The horrified Bertie was next in succession. It was a job he had never wanted, but putting duty first he felt he had to accept the Crown. The Yorks returned to Westminster Abbey on 12 May 1937, where Bertie was crowned George VI. The seething Elizabeth never forgave the Windsors for heaping pressure upon her nervous husband – she blamed them in part for the King’s premature death in 1952. And despite the Windsors wish to live in England and attend the new King’s coronation, she was insistent that they be exiled from Britain.
War breaks out
The King, despite vocal coaching from Elizabeth to conquer his stammer, was still a nervous public performer, often stuttering painfully through his public appearances, and history was once again to thrust him cruelly to the fore. In 1939 war broke out and, alongside prime minister Winston Churchill, the King and Queen were the figures that many Britons looked to for moral support and a display of fibre. The nervous King certainly lacked nothing in courage, but he wasn’t a crowd-rousing extrovert like Churchill or the Duke of Windsor. And the Queen’s visits to the scenes of devastating air raids in London were sometimes ill-received if well-meant. Dressed in her finery, there were early reports of the couple being whistled and booed by people who had been bombed out and left with nothing.

But if the couple had difficulty relating to their people they lacked nothing in guts. The Government and Royal household were insistent that the Queen and princesses should escape to the safety of Canada. Elizabeth refused to leave, saying “The princesses cannot go without me; I cannot go without the King. And the King will never leave.” So the family stayed at Buckingham Palace, where Elizabeth would employ her revolver for target practice in the gardens. But the couple truly became Londoners when Buckingham Palace itself was hit by a Luftwaffe bomb. The King had entreated his subjects in Britain and the Commonwealth to “stand calm, firm and united in this time of trial”. The Royal couple took their own advice, staying in a London where thousands were to be killed by enemy bombs. The Queen went even further than her King, saying she was “glad we’ve been bombed. It makes me feel I can look the East End in the face”. It was no surprise that the King and Queen were warmly received on their subsequent visits east of Aldgate.
Peace and tragedy
Having endured a World War for the second time in their lives, the Royal pair must have been hoping for a long and happy peace, but it was not to be. In 1952 the King, a heavy smoker and in increasingly frail health, suffered a fatal stroke. Princess Elizabeth and her husband Prince Philip returned hurriedly from an African safari. For the new Queen’s mother it was a blow too far. She retreated into mourning, wearing black and withdrawing from public engagements for an entire year. It was uncannily similar to the reaction of her husband’s great-grandmother a century earlier, on the death of Prince Albert. But unlike Victoria, Elizabeth managed to pull herself out of the depression that had enveloped her. Winston Churchill, a trusted lieutenant from the war years, gently persuaded her that she could not live out her remaining years in mourning. The trademark pastel shades replaced widow’s weeds and the Queen Mother took up her public engagements once more.
Another role
Elizabeth had never wanted the spotlight that came with being Queen, but now she found it switched abruptly onto the new monarch, her own daughter. Over the following decades she carved out a new role for herself. Much of that centred on becoming a marriage broker for her adored grandchildren. That was to have mixed results of course, but she remained a much-loved confidante to her favourite grandchild, Prince Charles.

But it was probably for her lifestyle and sense of fun that the Queen Mother will be best remembered. Into the 1980s, and her own eighties, she could be seen up to her waders, fly-fishing in the rivers of her Scottish estate. Horse-racing became another passion from the 1950s onwards. A friend suggested she take up the sport as an amusing distraction, but she poured time, energy and money into the racing game. She became a successful breeder, producing more than 400 winners over the years. Her dream, of course, was to win the Grand National, and she was only robbed of the ultimate prize in steeplechasing by one of the most extraordinary finishes in the long history of the race. In 1956, Dick Francis was lengths clear on the Queen Mother’s horse, Devon Loch. With victory certain, the horse collapsed just 50 yards short of the post. It was a climax even Francis – who later went on to become a hugely successful writer of racing novels – wouldn’t have dared to make up.

Even toward the end of her life, when hip operations and illnesses forced her to give up many of her outdoor pursuits, she still insisted on fulfilling public engagements – without a stick if she could manage it. And though fishing might have become impossible, she still insisted on visiting Scotland – travelling from her London residence, Clarence House, to the Castle of Mey in the north-east several times a year. There was grit and determination there certainly, there was also that wicked sense of humour she had displayed when pouring oil on the guests at Glamis as a young girl. Once, fed up with waiting for her gin and tonic at the Palace, the keen tippler rang in exasperation down to the kitchens to chivvy up her servants. Referring to the large numbers of gay staff in her entourage she quipped “When you old queens are done gossiping, this old queen would like a drink!”

And years before, visiting a Bethnal Green estate to judge the gardens and window box displays, she noticed a nervous young resident desperately trying to get a photo of the famous visitor. The Queen Mother looked at the lad and asked gently “Haven’t you taken it yet?” “No,” he replied “the sun is in the wrong place.” “Well,” she said “we cannot move the sun, so where would you like me to stand?”


Denis Dell and the Honeycombs

Thursday, April 10th, 2008


honeycombs.jpgDennis D’Ell was the son of a lorry driver and drew his first wage packet as a railway signalman. But the Stepney schoolboy became a pop star in an era when anyone and everyone could have a pop at the charts. All you needed was a catchy song, a producer and, ideally, a gimmick.

The Honeycombs had a catchy song all right. Forty years later anyone who ever heard it has no problem humming Have I the Right, though we’d challenge you to name a further hit by the London combo. Yet though the group seem archetypal one-hit wonders, they built a career on the distinctive disc which sustained them for 41 years … right up until Dennis’s untimely death on 6 July. They had a producer, the terminally eccentric Joe Meek, whose final act should provide a worrying warning to anyone who has ever asked the neighbours to turn the music down. And they had a gimmick. In the sexually unreconstructed early sixties, the presence of a female drummer, Honey Lantree, was enough to get them TV spots.

Dennis was born Dennis Dalziel (pronounced Dee Ell). After leaving the Sir John Cass Foundation and Redcoat school, Stepney, he took a job on the railways. ‘A couple of the lads thought I could sing,’ he remembered later. ‘They entered me into a local talent contest.’ Meanwhile, London hairdressers Martin Murray and Ann Lantree had formed The Sherabons, with Murray on lead guitar and Lantree on drums. Lantree’s brother John came in on rhythm guitar and Alan Ward on bass, and Dennis was recruited as lead vocalist, simplifying the spelling of his surname to avoid constantly having to correct people who pronounced it wrongly. The Sherabons name was ditched in favour of the more memorable Honeycombs (a mix of Ann Lantree’s nickname and a reference to the beehive hairstyles favoured by women of the day).

The new band began ploughing the live London circuit, and in the new year of 1964 were regularly playing at the Mildmay Tavern in Stoke Newington. In the audience were the songwriting team of Ken Howard and Alan Blaikley, who were looking for a vehicle for a song they had written, Have I the Right?.


The Honeycombs went into the Islington studio of the legendary and eccentric producer Joe Meek. While most producers were white-coated technicians, working in laboratory-like studios for the likes of EMI, Meek had built his own studio over three floors of his flat at 345 Holloway Road. Meek, who was dyslexic and tone deaf, had had a huge hit with the Tornadoes Telstar in 1962, and would go on to produce 245 singles, 45 of them making the Top 50. He was less interested in conventional melodies than unusual and new sounds. For John Leyton’s hit Johnny Remember Me he had the violinists on the stairs, the drummer in the bathroom, and the brass section on the floor below. Constantly experimenting with reverb, echo and electronically generated sounds, Meek made a noise like nobody else. Some of the tricks were lower tech of course. Overdubs on the stomping Have I the Right were accomplished by the Honeycombs stamping their feet in time on the stairs of Number 345.

D’Ell’s delivery was extraordinary, his clipped, staccato vocal perfectly matching the stomping backbeat. The disc was produced in three takes in spring 1964 and the Honeycombs crossed their fingers. The record looked to have missed rather than hit when it was swiftly dropped from the playlist of the Light Programme (which would be reinvented in 1967 as Radio One), but pirate Radio Caroline picked up on the song and it went to Number One in the UK, Australia, South Africa, Japan and Australia, making Number Four in the US.

If Joe Meek was an inspired producer he was less successful as a manager, sending the Honeycombs off to tour Australia just as the record hit the peak of the Hit Parade in Britain. The smiling band with the female drummer were needed to promote follow-ups such as Is It Because?, Eyes and Something Better Beginning but they were on the other side of the planet and the records sunk. A duet between Dennis and Honey, That’s the Way, made Number 12 in 1965.

In 1967, Joe Meek finally snapped. His landlady had been hammering on her ceiling (Meek’s floor) to get him to turn the noise down. Meeting on the stairs, the producer shot first her and then himself.

Dennis D’Ell was to spend the next 40 years as a jobbing musician, in bluesy acts such as the Shuffle Brothers and the Southside Blues Band, and recording a Northern Soul classic in Better Use Your Head (1967). And, right up to the present day, there were periodic appearances by The Honeycombs, at sixties revival nights: usually with Dennis as the sole surviving member. The record the BBC dropped as uncommercial was still drawing audiences four decades later.