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	<title>Comments for eastlondonhistory.com</title>
	<link>http://eastlondonhistory.com</link>
	<description>2000 years of the people and places of the East End of London</description>
	<pubDate>Sat, 22 Nov 2008 07:09:49 +0000</pubDate>
	<generator>http://wordpress.org/?v=2.3.3</generator>
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		<title>Comment on The man with two suits by Terry Abrahams</title>
		<link>http://eastlondonhistory.com/the-man-with-two-suits/#comment-1602</link>
		<dc:creator>Terry Abrahams</dc:creator>
		<pubDate>Mon, 04 Aug 2008 13:36:14 +0000</pubDate>
		<guid>http://eastlondonhistory.com/the-man-with-two-suits/#comment-1602</guid>
		<description>re Myer Abramovitch. It is very likely (with research so far) that he was my uncle!</description>
		<content:encoded><![CDATA[<p>re Myer Abramovitch. It is very likely (with research so far) that he was my uncle!</p>
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		<title>Comment on York Hall, Bethnal Green by Adrian</title>
		<link>http://eastlondonhistory.com/york-hall-bethnal-green/#comment-1487</link>
		<dc:creator>Adrian</dc:creator>
		<pubDate>Fri, 01 Aug 2008 12:23:20 +0000</pubDate>
		<guid>http://eastlondonhistory.com/york-hall-bethnal-green/#comment-1487</guid>
		<description>What this article fails to highlight is that the entrance fee has risen from £8 to £21 and that there is a time limit of three hours per visit.

The Turkish Baths used to be a gathering point for a wide cross-section of Londoners and, for the regulars, as much a social event as a communal bathing experience. 

Its conversion to a modern spa, run by corporate management, was perhaps inevitable if it was operating at a loss; but the demise of the old Grand Dame of East London will be mourned by many.

I wonder what happened to Old Billy...</description>
		<content:encoded><![CDATA[<p>What this article fails to highlight is that the entrance fee has risen from £8 to £21 and that there is a time limit of three hours per visit.</p>
<p>The Turkish Baths used to be a gathering point for a wide cross-section of Londoners and, for the regulars, as much a social event as a communal bathing experience. </p>
<p>Its conversion to a modern spa, run by corporate management, was perhaps inevitable if it was operating at a loss; but the demise of the old Grand Dame of East London will be mourned by many.</p>
<p>I wonder what happened to Old Billy&#8230;</p>
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		<title>Comment on Oi Jimmy Knacker by Beryl Wade</title>
		<link>http://eastlondonhistory.com/oi-jimmy-knacker/#comment-1032</link>
		<dc:creator>Beryl Wade</dc:creator>
		<pubDate>Wed, 23 Jul 2008 11:35:11 +0000</pubDate>
		<guid>http://eastlondonhistory.com/oi-jimmy-knacker/#comment-1032</guid>
		<description>What a joy to read! I'm now hunting for ones I haven't read.  Coming from Canning Town - a stones throw from Ken - and not a great deal of difference in our ages either from the details.

I only wish I could do the same, we all have some stories to tell.

Regards, Beryl.</description>
		<content:encoded><![CDATA[<p>What a joy to read! I&#8217;m now hunting for ones I haven&#8217;t read.  Coming from Canning Town - a stones throw from Ken - and not a great deal of difference in our ages either from the details.</p>
<p>I only wish I could do the same, we all have some stories to tell.</p>
<p>Regards, Beryl.</p>
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		<title>Comment on When Scotland met Poplar by john</title>
		<link>http://eastlondonhistory.com/when-scotland-met-poplar/#comment-861</link>
		<dc:creator>john</dc:creator>
		<pubDate>Sat, 19 Jul 2008 07:14:35 +0000</pubDate>
		<guid>http://eastlondonhistory.com/when-scotland-met-poplar/#comment-861</guid>
		<description>Intriguing ... only problem here is I've never seen this 'Scotland Forever, Forever Scotland' piece he talks about, far less plagiarised it. If anyone has a copy they can let me have or tell me what the similar words are I'd be very grateful.</description>
		<content:encoded><![CDATA[<p>Intriguing &#8230; only problem here is I&#8217;ve never seen this &#8216;Scotland Forever, Forever Scotland&#8217; piece he talks about, far less plagiarised it. If anyone has a copy they can let me have or tell me what the similar words are I&#8217;d be very grateful.</p>
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		<title>Comment on When Scotland met Poplar by john</title>
		<link>http://eastlondonhistory.com/when-scotland-met-poplar/#comment-851</link>
		<dc:creator>john</dc:creator>
		<pubDate>Fri, 18 Jul 2008 18:44:19 +0000</pubDate>
		<guid>http://eastlondonhistory.com/when-scotland-met-poplar/#comment-851</guid>
		<description>&gt; Dear Ms Clay,
&gt;
&gt; Forever Scotland
&gt;
&gt; Lautreamont's dictum that plagiarism is necessary, progress implies
&gt; it,
&gt; would lead us to believe that East End Life  is indeed
&gt; ³progressive². John Rennie's 'Walk the streets of Scotland' (EEL
&gt; Issue 717, p23, 14 ­ 20 July 2008) is an excellent plagiarism of
&gt; the London Psychogeographical Associations leaflet "Scotland
&gt; Forever, Forever Scotland", which was published in the 1990's.
&gt; Rennie's replacement of 'forever Caledonia' for 'Forever Scotland'
&gt; shows a classical-romantic frame of mind which Rennie criticises in
&gt; John Abbott, the chemist who named all the roads on the Aberfeldy
&gt; Estate. Rennie suggests that John Abbot may have cheated because he
&gt; used the archaic spelling of Zetland for Shetland. Mr Rennie is not
&gt; really in a position to call anyone a cheat.
&gt;
&gt; Yours sincerely
&gt;
&gt;
&gt; Fabian Tompsett, FRSA
&gt;</description>
		<content:encoded><![CDATA[<p>> Dear Ms Clay,<br />
><br />
> Forever Scotland<br />
><br />
> Lautreamont&#8217;s dictum that plagiarism is necessary, progress implies<br />
> it,<br />
> would lead us to believe that East End Life  is indeed<br />
> ³progressive². John Rennie&#8217;s &#8216;Walk the streets of Scotland&#8217; (EEL<br />
> Issue 717, p23, 14 ­ 20 July 2008) is an excellent plagiarism of<br />
> the London Psychogeographical Associations leaflet &#8220;Scotland<br />
> Forever, Forever Scotland&#8221;, which was published in the 1990&#8217;s.<br />
> Rennie&#8217;s replacement of &#8216;forever Caledonia&#8217; for &#8216;Forever Scotland&#8217;<br />
> shows a classical-romantic frame of mind which Rennie criticises in<br />
> John Abbott, the chemist who named all the roads on the Aberfeldy<br />
> Estate. Rennie suggests that John Abbot may have cheated because he<br />
> used the archaic spelling of Zetland for Shetland. Mr Rennie is not<br />
> really in a position to call anyone a cheat.<br />
><br />
> Yours sincerely<br />
><br />
><br />
> Fabian Tompsett, FRSA<br />
></p>
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		<title>Comment on John and Julia Scurr by Sharon Buchanan</title>
		<link>http://eastlondonhistory.com/john-and-julia-scurr/#comment-809</link>
		<dc:creator>Sharon Buchanan</dc:creator>
		<pubDate>Wed, 16 Jul 2008 23:26:07 +0000</pubDate>
		<guid>http://eastlondonhistory.com/john-and-julia-scurr/#comment-809</guid>
		<description>John Scurr, MP 1876-1932 was NOT born in Poplar. he was born in Brisbane Australia to Louis James Renney &#38; Mary Connor. He was adopted by his aunt Caroline Renney &#38; her husband Capt. John Scurr after the death of his mother and brought back to England where he was brought up as thei son and his name changed to John SCURR.

From Who was Who:
SCURR John, MP (lab) Stepney (Mile End) 1923-1931
Alderman London County Council 1925-1929
Chairman Stepney Board of Guardians: Alderman Poplar Borough Council from1919
Born Brisbane, Queensland 6 Apr 1876 son of Louis James Rennie of Poplar, he was adopted by his Uncle Capt. John Scurr. He married in 1900 Julia (d. 1927) daughter of John O'Sullivan, County Cork.
He died Jul 10 1932</description>
		<content:encoded><![CDATA[<p>John Scurr, MP 1876-1932 was NOT born in Poplar. he was born in Brisbane Australia to Louis James Renney &amp; Mary Connor. He was adopted by his aunt Caroline Renney &amp; her husband Capt. John Scurr after the death of his mother and brought back to England where he was brought up as thei son and his name changed to John SCURR.</p>
<p>From Who was Who:<br />
SCURR John, MP (lab) Stepney (Mile End) 1923-1931<br />
Alderman London County Council 1925-1929<br />
Chairman Stepney Board of Guardians: Alderman Poplar Borough Council from1919<br />
Born Brisbane, Queensland 6 Apr 1876 son of Louis James Rennie of Poplar, he was adopted by his Uncle Capt. John Scurr. He married in 1900 Julia (d. 1927) daughter of John O&#8217;Sullivan, County Cork.<br />
He died Jul 10 1932</p>
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		<title>Comment on WW Jacobs and Monkey&#8217;s Paw by john</title>
		<link>http://eastlondonhistory.com/ww-jacobs-and-monkeys-paw/#comment-685</link>
		<dc:creator>john</dc:creator>
		<pubDate>Thu, 10 Jul 2008 11:33:00 +0000</pubDate>
		<guid>http://eastlondonhistory.com/ww-jacobs-and-monkeys-paw/#comment-685</guid>
		<description>Thank you for the article about W.W.Jacobs in the issue of "East End Life" of 28th April to 4th May. It was very interesting. Unfortunately your very last paragraph regarding Project Gutenberg is misleading. The fact is that none of Jacobs books are yet out of copyright in the European Union. A book does not come out of copyright till its author has been dead for over 70 years, and so Jacobs' copyright extends to 31st December 2013.
 
But, as you say, most of his books can be downloaded from Project Gutenberg, but not all, as will be seen. Copyright law in the US works quite differently than it does in  the European Union, for it is an edition, rather than the book itself, that comes out of copyright. There is a single cut-off date. Editions issued before 1923 are out of copyright. Editions issued after 1922 are not out of copyright. That is a fixed date, and does not roll forward year by year. It is a date fixed by legislation influenced by the Disney Corporation, so that Mickey Mouse will never come out of copyright. I hope that this sort of legislation could never be enacted here in the European Union.
 
The last book written by Jacobs was "Sea Whispers", published in 1926. This is not out of copyright in the US, and never will be. We shall have to wait until 2014 before we can see it in Project Gutenberg Europe. But there is yet a third form of copyright law, to be found in Australia (and many other countries), where copyright expires fifty years after the author's death. Unfortunately, "Sea Whispers" is not yet to be found in "Project Gutenberg Australia", but perhaps that will be remedied soon.
 
As regards British books on Project Gutenberg in the US, I have myself posted over 450 British novels from the nineteenth and early twentieth centuries onto PG. To do this, first you have to ensure that the edition you are going to use was published before 1923. Look the book up to match Title, Author, Publisher, number of pages, and if possible illustrator and number of illustrations, on a website called Copac. This website is very easy to use, and is a composite of the British copyright libraries and the principal British academic libraries. It is very rare not to find the information you need from this website. Having provided the evidence that the edition you have is out of US copyright you present this to PG's copyright scrutineers. They will usually come back to you with permission to proceed, within a few days. You can then scan and OCR the book, and check it over very carefully for typos (in the original typesetting) and for misreads (usually due to a bad patch on the printed page). When you have corrected all these, and done all you can to ensure the correctness of your transcription, you send it to one of the teams PG has for finally checking and posting the books. When they have done that they send it on to someone called the Indexer, and it is then put into the PG index so that it can be downloaded by the public.
 
In actual fact there will still be a very small number of errors that have eluded all these people. The Library of Congress has set a target level so that the words and punctuation in the book should be better than 99.95% correct, but most transcribers achieve a far higher standard than that.
 
Having said all that, it is true that most of Jacobs' books can be downloaded easily from Project Gutenberg. To read them I strongly recommend a program called yBook, which is free, and available from a website called Spacejock. There is also available some excellent technology for easily creating audiobooks, the best program and voice being available at a small charge from NextUp.com.
 
Kind regards,
Nick Hodson</description>
		<content:encoded><![CDATA[<p>Thank you for the article about W.W.Jacobs in the issue of &#8220;East End Life&#8221; of 28th April to 4th May. It was very interesting. Unfortunately your very last paragraph regarding Project Gutenberg is misleading. The fact is that none of Jacobs books are yet out of copyright in the European Union. A book does not come out of copyright till its author has been dead for over 70 years, and so Jacobs&#8217; copyright extends to 31st December 2013.</p>
<p>But, as you say, most of his books can be downloaded from Project Gutenberg, but not all, as will be seen. Copyright law in the US works quite differently than it does in  the European Union, for it is an edition, rather than the book itself, that comes out of copyright. There is a single cut-off date. Editions issued before 1923 are out of copyright. Editions issued after 1922 are not out of copyright. That is a fixed date, and does not roll forward year by year. It is a date fixed by legislation influenced by the Disney Corporation, so that Mickey Mouse will never come out of copyright. I hope that this sort of legislation could never be enacted here in the European Union.</p>
<p>The last book written by Jacobs was &#8220;Sea Whispers&#8221;, published in 1926. This is not out of copyright in the US, and never will be. We shall have to wait until 2014 before we can see it in Project Gutenberg Europe. But there is yet a third form of copyright law, to be found in Australia (and many other countries), where copyright expires fifty years after the author&#8217;s death. Unfortunately, &#8220;Sea Whispers&#8221; is not yet to be found in &#8220;Project Gutenberg Australia&#8221;, but perhaps that will be remedied soon.</p>
<p>As regards British books on Project Gutenberg in the US, I have myself posted over 450 British novels from the nineteenth and early twentieth centuries onto PG. To do this, first you have to ensure that the edition you are going to use was published before 1923. Look the book up to match Title, Author, Publisher, number of pages, and if possible illustrator and number of illustrations, on a website called Copac. This website is very easy to use, and is a composite of the British copyright libraries and the principal British academic libraries. It is very rare not to find the information you need from this website. Having provided the evidence that the edition you have is out of US copyright you present this to PG&#8217;s copyright scrutineers. They will usually come back to you with permission to proceed, within a few days. You can then scan and OCR the book, and check it over very carefully for typos (in the original typesetting) and for misreads (usually due to a bad patch on the printed page). When you have corrected all these, and done all you can to ensure the correctness of your transcription, you send it to one of the teams PG has for finally checking and posting the books. When they have done that they send it on to someone called the Indexer, and it is then put into the PG index so that it can be downloaded by the public.</p>
<p>In actual fact there will still be a very small number of errors that have eluded all these people. The Library of Congress has set a target level so that the words and punctuation in the book should be better than 99.95% correct, but most transcribers achieve a far higher standard than that.</p>
<p>Having said all that, it is true that most of Jacobs&#8217; books can be downloaded easily from Project Gutenberg. To read them I strongly recommend a program called yBook, which is free, and available from a website called Spacejock. There is also available some excellent technology for easily creating audiobooks, the best program and voice being available at a small charge from NextUp.com.</p>
<p>Kind regards,<br />
Nick Hodson</p>
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		<title>Comment on Alec Hurley by Sandra Kowalewicz</title>
		<link>http://eastlondonhistory.com/alec-hurley/#comment-610</link>
		<dc:creator>Sandra Kowalewicz</dc:creator>
		<pubDate>Sun, 06 Jul 2008 14:37:45 +0000</pubDate>
		<guid>http://eastlondonhistory.com/alec-hurley/#comment-610</guid>
		<description>Hi, could you tell me wheather Alec Hurley and Marie Lloyd had any children please.
                   Thank you very much, yours Sincerely Ms Kowalewicz</description>
		<content:encoded><![CDATA[<p>Hi, could you tell me wheather Alec Hurley and Marie Lloyd had any children please.<br />
                   Thank you very much, yours Sincerely Ms Kowalewicz</p>
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		<title>Comment on Mile End Old Town Residents Association book review by john</title>
		<link>http://eastlondonhistory.com/mile-end-old-town-residents-association-book-review/#comment-447</link>
		<dc:creator>john</dc:creator>
		<pubDate>Tue, 01 Jul 2008 16:01:03 +0000</pubDate>
		<guid>http://eastlondonhistory.com/mile-end-old-town-residents-association-book-review/#comment-447</guid>
		<description>Sorry, it appears not, having done a search on Amazon.</description>
		<content:encoded><![CDATA[<p>Sorry, it appears not, having done a search on Amazon.</p>
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		<title>Comment on Mile End Old Town Residents Association book review by Fred Donkin</title>
		<link>http://eastlondonhistory.com/mile-end-old-town-residents-association-book-review/#comment-424</link>
		<dc:creator>Fred Donkin</dc:creator>
		<pubDate>Mon, 30 Jun 2008 08:52:09 +0000</pubDate>
		<guid>http://eastlondonhistory.com/mile-end-old-town-residents-association-book-review/#comment-424</guid>
		<description>Can I buy "Changing Places" on line?</description>
		<content:encoded><![CDATA[<p>Can I buy &#8220;Changing Places&#8221; on line?</p>
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